Wednesday, April 26, 2006


Speech By Larry Ellison


What follows is a transcript of the speech delivered by Larry Ellison, CEO of ORACLE (2nd Richest Man on the Planet) at the Yale University to the graduating class of 2000


"Graduates of Yale University, I apologize if you have endured this type of prologue before, but I want you to do something for me. Please, take a good look around you. Look at the classmate on your left. Look at the classmate on your right. Now, consider this: five years from now, 10 years from now, even 30 thirty years from now, odds are the person on your left is going to be a loser.

The person on your right, meanwhile, will also be a loser. And you, in the middle? What can you expect? Loser. Loserhood. Loser Cum Laude.

"In fact, as I look out before me today, I don't see a thousand hopes for a bright tomorrow. I don't see a thousand future leaders in a thousand industries. I see a thousand losers. "You're upset. That's understandable. After all, how can I, Lawrence 'Larry' Ellison, college dropout, have the audacity to spout such heresy to the graduating class of one of the nation's most prestigious institutions? I'll tell you why. Because I, Lawrence "Larry" Ellison, second richest man on the planet, am a college dropout, and you are not.

"Because Bill Gates, richest man on the planet -- for now, anyway -- is a college dropout, and you are not. "Because Paul Allen, the third richest man on the planet, dropped out of college, and you did not. "And for good measure, because Michael Dell, No. 9 on the list and moving up fast, is a college dropout, and you, yet again, are not. "Hmm... you're very upset. That's understandable. So let me stroke your egos for a moment by pointing out, quite sincerely, that your diplomas were not attained in vain. Most of you, I imagine, have spent four to five years here, and in many ways what you've learned and endured will serve you well in the years ahead. You've established good work habits. You've established a network of people that will help you down the road. And you've established what will be lifelong relationships with the word 'therapy.' All that of is good. For in truth, you will need that network. You will need those strong work habits. You will need that therapy.

"You will need them because you didn't drop out, and so you will never be among the richest people in the world. Oh sure, you may, perhaps, work your way up to No. 10 or No. 11, like Steve Ballmer. But then, I don't have to tell you who he really works for, do I? And for the record, he dropped out of grad school. Bit of a late bloomer.

"Finally, I realize that many of you, and hopefully by now most of you, are wondering, 'Is there anything I can do? Is there any hope for me at all?' Actually, no. It's too late. You've absorbed too much, think you know too much. You're not 19 anymore. You have a built-in cap, and I'm not referring to the mortar boards on your heads. "Hmm... you're really very upset. That's understandable.

So perhaps this would be a good time to bring up the silver lining. Not for you, Class of '00. You are a write-off, so I'll let youslink off to your pathetic $200,000-a-year jobs, where your checks will be signed by former classmates who dropped out two years ago.

"Instead, I want to give hope to any underclassmen here today. I say to you, and I can't stress this enough: leave. Pack your things and your ideas and don't come back. Drop out. Start up. "For I can tell you that a cap and gown will keep you down just as surely as these security guards dragging me off this stage are keeping me down..."

Saturday, April 22, 2006

Crash Movie Review

Crash Movie Review

A review of a brilliant movie i recently saw




Racism collides with its targets during one
thirty six-hour period in Los Angeles. Alive with bracing human drama and blistering wit, the film benefits from the strong directing debut of Paul Haggis, the screenwriter of Million Dollar Baby. In the style of Magnolia, Haggis and co-writer Bobby Moresco weave many stories (too many) into the narrative. But the rage sticks, as do the emotions underlying it. The district attorney (Brendan Fraser) and his wife (Sandra Bullock, strikingly uncongenial) are carjacked at gunpoint by two black men (Ludacris and Larenz Tate). At home, the wife orders the locks changed and then changed again because a Mexican (Michael Pena) did the first job. A black TV director (Terrence Howard), getting a blow job from his wife (Thandie Newton) while driving home, is stopped by two white cops. One officer (Matt Dillon) gropes the wife to humiliate the husband, while the other cop (a standout Ryan Phillippe) watches helplessly. A Persian store owner (Shaun Toub), taken for an Arab, buys a gun for protection. Don Cheadle plays a detective who ties these stories together when he finds a dead body in the road. The acting is dynamite, notably by Dillon and Newton in their shocking second encounter

But this is Haggis' film; his characters, his city, his vision. It's deeply human and empathetic, observational without being judgemental, compassionate without being soft, shocking without being gratuitous, clever and contrived but never for a moment predictable or easy.
From such a well worn formula, Haggis has managed to craft something truly original. Scenes you may think you've watched play out a dozen times before go places you'd never have dreamed. Often darkly humourous, Crash nevertheless throbs with power and resonance. Not only are we presented with breathtaking dramatic scenarios, we're also forced to confront our own attitudes and ask ourselves how our preconceptions influence our everyday interactions, not forgetting that there are two sides to every story: Ryan may be a racist prick, but he's still a heroic cop ; Daniel may be from a bad neighbourhood and have the appearance of a gang member, but he's still an honest tradesman with a family ; Cameron may rightly feel indignant over Ryan's abuse, but he's still a wealthy voice actor who is reluctant for his audience to know he's black.
Compelling, brilliant, gripping, funny, constantly surprising - this is everything cinema should be. Go see, go see.

Wednesday, April 19, 2006

Craig David

Craig David

Seven Days
My friend recently told me about this song and it certainly
impressed me like anything.... so i thought i can share that song
in my blog.......

"7 Days"

On my way to see my friends
who lived a couple blocks away from me (owh)
As I walked through the subway
it must have been about quarter past three
In front of me
stood a beautiful honey with a beautiful body
She asked me for the time
I said it'd cost her her name
a six digit number & a date with me tomorrow at nine

Did she decline? No
Didn't she mind? I don't think so
Was it for real? Damn sure
What was the deal? A pretty girl aged 24
So was she keen? She couldn't wait
Cinnamon queen? let me update
What did she say? She said she'd love to
rendezvous
She asked me what we were gonna do
said we'd start with a bottle of moet for two

[Chorus]

Monday
took her for a drink on Tuesday
we were making love by Wednesday
and on Thursday & Friday & Saturday we chilled on Sunday
I met this girl on Monday
took her for a drink on Tuesday
we were making love by Wednesday
and on Thursday & Friday & Saturday we chilled on Sunday

[Verse 2]
Nine was the time
cos I'll be getting mine
and she was looking fine
Smooth talker
she told me
She'd love to unfold me all night long
Ooh I loved the way she kicked it
from the front to back she flipped (back she flipped it, ooh the
way she
kicked it)
And I oh oh I yeah
hope that she'd care
cos I'm a man who'll always be there

Ooh yeah
I'm not a man to play around baby
Ooh yeah
cos a one night stand isn't really fair
From the first impression girl hmm you don't seem to be like that
Cos there's no need to chat for there'll be plenty for that
From the subway to my home
endless ringing of my phone
When you feeling all alone
all you gotta do
is just call me call me

[Chorus]

Monday
took her for a drink on Tuesday
we were making love by Wednesday
and on Thursday & Friday & Saturday we chilled on Sunday
I met this girl on Monday
took her for a drink on Tuesday
we were making love by Wednesday
and on Thursday & Friday & Saturday we chilled on Sunday

[Bridge]

(Break it down, uh break it down)
Since I met this special lady
ooh yeah
I can't get her of my mind
She's one of a kind
And I ain't about to deny it
It's a special kind thing
with you-oh.......

[Chorus]

Monday
took her for a drink on Tuesday
we were making love by Wednesday
and on Thursday & Friday & Saturday we chilled on Sunday
I met this girl on Monday
took her for a drink on Tuesday
we were making love by Wednesday
and on Thursday & Friday & Saturday we chilled on Sunday

******